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Ruffiana la Mafalda e la Loredana del Villaggio, Collezione Giuseppe Iannaccone, Milan, 2017 - 2018

Ruffiana la Mafalda e la Loredana del Villaggio, Collezione Giuseppe Iannaccone, Milan, 2017 - 2018
Ruffiana la Mafalda e la Loredana del Villaggio, Collezione Giuseppe Iannaccone, Milan, 2017 - 2018
Ruffiana la Mafalda e la Loredana del Villaggio, Collezione Giuseppe Iannaccone, Milan, 2017 - 2018
Ruffiana la Mafalda e la Loredana del Villaggio, Collezione Giuseppe Iannaccone, Milan, 2017 - 2018
Ruffiana la Mafalda e la Loredana del Villaggio, Collezione Giuseppe Iannaccone, Milan, 2017 - 2018
Ruffiana la Mafalda e la Loredana del Villaggio, Collezione Giuseppe Iannaccone, Milan, 2017 - 2018
Ruffiana la Mafalda e la Loredana del Villaggio, Collezione Giuseppe Iannaccone, Milan, 2017 - 2018

BEATRICE MARCHI
RUFFIANA LA MAFALDA E LA LOREDANA DEL VILLAGGIO
November 7, 2017 - March 18, 2018, Collezione Giuseppe Iannaccone

On Tuesday November 7, a personal exhibition Ruffiana la Mafalda e La Loredana del villaggio by Beatrice Marchi (Varese, 1986) will be open to the public for a special visit: a series of new paintings interact with objects, sculptures, videos, photographs and paintings “staging”, as written by the curator in the catalogue, “a journey into the future with eyes immersed within contemporary society in which the artist speaks of the vulnerability of the human soul, unveiling the central female characters chasing from one painting to another, through a series of endless appearances and metamorphoses. Katie, Fox, Mafalda, Loredana, Susy, Isa B are a group of friends on the brink between two worlds: the real world and the art world, part child and part adult, part animal and part human, little girls that want to be women, women that want to be men. In some cases these characters wear a prosthesis, as a metaphor of a red clown nose”. Characters – as seen in the painting Il Caffé by Arnaldo Badodi, to which the young artist makes an indirect tribute, move in a world of incommunicability, revealing the loneliness of everyday life, where the scenes continuously repeat themselves, without the occurrence of anything concrete.

(...) Within the dedicated area of Mr. Iannaccone’s legal firm, and positioned among the works of Collezione Giuseppe Iannaccone, set up specifically for the event, we can find the new works of Beatrice Marchi. The works, in dialogue with the faces and subjects that reside in this space, create an intense exchange between the characters and their stories sharing common landscapes and atmospheres.

(Excerpt from the press release)

Beatrice Marchi, Autoritratto, 2016

Beatrice Marchi

'Autoritratto', 2016

Oil and Acrylic on wood

76 × 60 × 20 cm

Unique

Beatrice Marchi, Paesaggio figurativo (antonietta raphael), 2017

Beatrice Marchi

'Paesaggio figurativo (antonietta raphael)', 2017

Pastel and acrylic on wood and glass

65 × 80 × 3.5 cm

Unique

Beatrice Marchi, Paesaggio figurativo (William Turner, Landscape with a river and a bay in the background), 2017

Beatrice Marchi

'Paesaggio figurativo (William Turner, Landscape with a river and a bay in the background)', 2017

Acrylic and pastel on wood and glass

65 × 85 × 3.5 cm

Unique

Beatrice Marchi, Le vacanze dei Bag-hands, 2017

Beatrice Marchi

'Le vacanze dei Bag-hands', 2017

Acrylic and pastel on wood and glass

80 × 65 cm

Unique

Beatrice Marchi, Occhioni, 2017

Beatrice Marchi

'Occhioni', 2017

Acrylic on wood and plexiglas

50 × 40 cm

Unique

Beatrice Marchi, Ruffiana la Mafalda, 2017

Beatrice Marchi

'Ruffiana la Mafalda', 2017

Wood, acrylic on glass

140 × 60 × 40 cm

Unique